Paradise (pt.3)

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Up a thousand steps,
a thousand steps and a dusty lane,
Fig-trees, leaves the color of the sea,
glint of sea-mirror, whence one had started;
A violin bowed by skillful hands,
playing Vivaldi, not practicing, playing to be heard;
And Il Poeta, come to stay the weekend,
come to see his daughter,
His daughter, and not his wife,
and also the skillful woman who plays Vivaldi.

The eye that covets,
The hand that moves upon the impulse of the eye.
It has been this way for some time,
and so why should we speak of it?

And a thousand steps below,
upon the promenade, the women in their finery,
the men not less fine.

And Dorothy has done with Henry James at last,
Only she may read The Princess Casamassima again,
Or perhaps start in on one of the French novelists…

And why should it be spoken of?

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Paradise (pt.2)

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“I believed in Zeus & Apollo & not in Christ,
and the nun: ‘well,
it’s all the same religion.’
She was Italian, after all…”

The golden dust footprint-deep on the road
& the air golden with sun-light
& around any turning of the road a tree or a god,

a god or a goddess,
ivy-tressed,
skin the color of sun-light,
dusted with gold, dust of autumn grapes,
the old wise eyes, half-lidded, —
“She turned her eyes to me,
and she inclined her head, so;
and the light of the golden hour
shone on her shoulder,
and on her soft throat,
and I came to her there…”

 

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Paradise (pt.1)

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And the sea,
the sea tranquil this winter’s day;
and Ezra, old man gone silent at last, —
ear, ear for the sea-surge
— gone silent, hearing no voices,

only the sea, the measureless sea
fills his ears
bidding him be silent,
bidding him hear no voices

who took genius for wisdom
who took passion for faith
who for atonement took sadness and silence,

took bitterness, despairing of Paradise.

“How are you today, Maestro?”
“Senile!”

And the great sea
surges, surges, the world’s measure.
He may hear it who has the ear for it,
he may bring it forth who has a tongue for it.

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I cut the fence

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I cut the fence
and let the animals go
hoping they were dangerous enough.

 

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Crow (4)

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Shotgun-boys waited,
sure patience would bring rewards:
Crow just stayed away.

 

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Crow (3)

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Crow, she tells me things;
Her being so commonplace
no one else listens.

 

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Crow (2)

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Crow never thinks twice
about standing out – she just
Interrupts the sky.

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Crow (1)

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Crow’s no harbinger:
too busy with his own shit
to foreshadow yours.

 

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Maybe I should have been

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Maybe I should have been
a nature poet, talking up
clouds and lakes,
wolves and rabbits,
the coyote, the honeybee, the scorpion.

Maybe I should have spent my time
traveling from desert to climax forest,
traveling from valley to mountainside,
talking forest fires, rolling fog,
the endless waves that munch seaside cliffs,
the fantastical desert arches
that occupy our cross section of time,
snails, beetles, microbes, grizzly bears,
and how everything fails and is reborn.

Maybe I’ll let go of my newspaper
this time, maybe
I’ll move to the suburbs and write about
a drowned man, maybe
I’ll go to work for a bank
and write about a drowned man,
maybe after writing about the sea
all my life, it will be a happy ending
to load my pockets with stones
and wade to meet the rising tide.

Maybe I’ll go to work for an insurance company
and write about ice cream.

Maybe I will yet.
Meanwhile, just to remind me
that it’s not all over,
here comes that blackbird again,
calling to see if I’m ready yet
to do the next thing.

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