Did he feel it too, this upwelling

Did he feel it too, this upwelling
of the heart that was in him?
And that there is nothing finally,
but simplicity? A single flower’s born,
blooms, wilts, and dies, that’s all;

so it seems to flowers. But the man
who painted flowers, what did he know
or see? What surface or what craft
could start or slow the upwelling
of the heart that was in him?

If art begins in loneliness, or lust,
its end is this upwelling of the heart
that will not stay or pass.
If I too feel it now, do I become
more like a man? Or, like that man

Whose body passed through his own world
like a flower? The slow, ceaseless
upwelling of my heart’s renewed in these;
my wife, my children, all the world
and all its flowers, all their works;

love, fear; time that nothing can arrest
except this act that had an end, or these
anonymous flowers that became artifice,
and he, whose heart may also have upwelled,
as it seemed to, within him, then.

.

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Next time around I’ll be an old woman

Next time around I’ll be an old woman

ultimately. Matter-of-fact, kids grown
and independent as the French seem
to Americans who’ve stayed at home.
I’ll wait to be noticed first, but will be.

Having lived in all kinds of places
I’ll prefer the city, since there are cafes,
many varieties of everything, and friends
one needn’t fear will depend on one

overmuch. Next time I’ll wait for the trees
to fall in the dead of night instead,
magnificently, and next morning the sun
will come up like thunder.

And I’ll say—it’s just like that time,
it’s just like that one time I remember.
And I alone will remember.
I’ll be like that next time around.

.

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Image: Clara Cook Kellogg, by Philip Alexius de László (1929). This portrait is in the National Portrait Gallery of the Smithsonian Institution (object number S/NPG.2006.114); it is made available by the Smithsonian under a Creative Commons Zero (CC0) license.

Raft

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I thought to build a tidy craft
But botched the job, and built a raft—
A raffish craft, whose aft and fore
Are more or less (or less or more)

Identical—also, the same—
So where I go, and whence I came,
I cannot tell from where I sit.
And that’s a pity—isn’t it?

 

canvas

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In my dream I was gravity.

Subsidence by seriykotik1970 - Flickr

In my dream I was gravity.
The pilings of the towers humored me
and the muscular calves
of the youths,
the repose and occasional slump

of exhausted hillsides,
and the sea’s endless susurrus
as it trailed the moon forever falling,
were my dance and my devotion,
my music and my mystery.

In my dream I have been gravity
and well pleased with the world.

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Could you see it

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Could you see it
if I asked you to accept mere words for visions
and said there were all
the colors of a salt marsh?

If I told you, the sea presses
her white mouth to the earth

where the green of saltgrass
is a thousand yellows
the yellow of the sedge a million greens

and the black small flies revel in the muck
that lies at the roots
while each dragonfly stitches its portion
of the moment?

I am not arguing for or against God
my only revelation is
the blowing fog
the smoking sun.

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Your bird does not fit our needs at this time (poem written with a found pen)

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We’re sorry but your bird
Does not fit our needs at this time

Due not to its filthy plumage
Or the fact it’s excessively common

We simply receive too many birds for us
To comment on any single Bird

And even though we wish you luck
And success in all your future endeavors

This bird simply will not do.

 

Found_Pen - 0310200935

 

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A flash of Gold or Crimson

SAAM-1953.3.1_1

A flash of Gold or Crimson
Are such domestic birds!
Whose colors–immemorial–
Have trafficked Human roads.

Hues of Song and Storybook
Of Wealth and Pageantry–
So haunting ’tis to glimpse them here
In the untraveled Green.

 

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Credo

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Tell the truth but tell it scant
Saving some for later – give the savor
Of what’s undenied – but still may be
Refined. Truth unadorned
Bores – so leave undefined
Beginning, end, or middle – since the mind
Forgets conclusions – but adores a riddle.

 

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