Paradise (pt.5)

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Venice, the city precarious,
built as for eternity,
founded upon water;
The floods each year,
water jealous of stone
rising up;
Every stone brought from afar,
and the city’s treasures traded for or stolen,
laid up like stones;

Those living beside the sea
are of necessity traders —
are of necessity grubbers at the sea’s verge,
Where even careful tending
will not make a garden…

Traders, as all men,
As the bankers trade in money & in war
coin & credit
mustard gas & “security”
In the interest of security,
in the interest…
Ignorance of the masses,
“ignorance of coin,
credit and circulation!”
But with a day’s reading
a man may have the key in his hands,
with one day’s reading…

To make of all things, one thing,
and out of one, all:
A cinema of words,
image following image,
& so on,
& because these things have been joined
they have been meant to be joined,
they increase in meaning;

The key in his hand,
“The terrifyin’ voice of civilization…”

 

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Paradise (pt.4)

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(and in London,
which disgraced itself,
and he left later,
singing…)

O London town’s a town of stink,
A town of Wells and Bennett
Where once old Shaw has said “’tis so”
No man dares speak again’ it.

A man may labour 20 years
I’ th’ vineyard of the min’
But the grapes o’ filthy London town
They make a bitter wine.

A man may labour 30 years
I’ th’ brickyard of the soul
Or make as grand a difference
By pissin’ in a hole.

O London town, O London town,
I’ll see thee never more
Till all thy murdered artists march
Triumphant home from war,

Till all thy streets be paved wi’ gold
Beneath an azure sky,
And Bloomsbury be buried
And the Lakes have all gang dry.

 

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Paradise (pt.3)

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Up a thousand steps,
a thousand steps and a dusty lane,
Fig-trees, leaves the color of the sea,
glint of sea-mirror, whence one had started;
A violin bowed by skillful hands,
playing Vivaldi, not practicing, playing to be heard;
And Il Poeta, come to stay the weekend,
come to see his daughter,
His daughter, and not his wife,
and also the skillful woman who plays Vivaldi.

The eye that covets,
The hand that moves upon the impulse of the eye.
It has been this way for some time,
and so why should we speak of it?

And a thousand steps below,
upon the promenade, the women in their finery,
the men not less fine.

And Dorothy has done with Henry James at last,
Only she may read The Princess Casamassima again,
Or perhaps start in on one of the French novelists…

And why should it be spoken of?

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Paradise (pt.2)

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“I believed in Zeus & Apollo & not in Christ,
and the nun: ‘well,
it’s all the same religion.’
She was Italian, after all…”

The golden dust footprint-deep on the road
& the air golden with sun-light
& around any turning of the road a tree or a god,

a god or a goddess,
ivy-tressed,
skin the color of sun-light,
dusted with gold, dust of autumn grapes,
the old wise eyes, half-lidded, —
“She turned her eyes to me,
and she inclined her head, so;
and the light of the golden hour
shone on her shoulder,
and on her soft throat,
and I came to her there…”

 

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Paradise (pt.1)

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And the sea,
the sea tranquil this winter’s day;
and Ezra, old man gone silent at last, —
ear, ear for the sea-surge
— gone silent, hearing no voices,

only the sea, the measureless sea
fills his ears
bidding him be silent,
bidding him hear no voices

who took genius for wisdom
who took passion for faith
who for atonement took sadness and silence,

took bitterness, despairing of Paradise.

“How are you today, Maestro?”
“Senile!”

And the great sea
surges, surges, the world’s measure.
He may hear it who has the ear for it,
he may bring it forth who has a tongue for it.

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I cut the fence

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I cut the fence
and let the animals go
hoping they were dangerous enough.

 

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Maybe I should have been

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Maybe I should have been
a nature poet, talking up
clouds and lakes,
wolves and rabbits,
the coyote, the honeybee, the scorpion.

Maybe I should have spent my time
traveling from desert to climax forest,
traveling from valley to mountainside,
talking forest fires, rolling fog,
the endless waves that munch seaside cliffs,
the fantastical desert arches
that occupy our cross section of time,
snails, beetles, microbes, grizzly bears,
and how everything fails and is reborn.

Maybe I’ll let go of my newspaper
this time, maybe
I’ll move to the suburbs and write about
a drowned man, maybe
I’ll go to work for a bank
and write about a drowned man,
maybe after writing about the sea
all my life, it will be a happy ending
to load my pockets with stones
and wade to meet the rising tide.

Maybe I’ll go to work for an insurance company
and write about ice cream.

Maybe I will yet.
Meanwhile, just to remind me
that it’s not all over,
here comes that blackbird again,
calling to see if I’m ready yet
to do the next thing.

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Marvel his birthday away

(Dylan Marlais Thomas, born 27 October 1914)

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We summoned Dylan Thomas’s spirit;
He was more than a little bit drunk, we all could hear it.
But we were charmed he had chosen to honor us
And even inebriated, his voice was still quite sonorous.

 

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Promenade

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Oh for the remembered clop, clop-clop
of the hard shoes fresh from the shop,
the parade of youth learning to be old that we thought would never stop.

Alas I grew bored and thinking life was long
I went away by myself for a while whistling a careless tune.
By the time I thought to return everyone had gone.

Oh how I miss the clop-clop, clop
that the young people made as they walked!

 

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I have a dream, during which I find and lose the key to America

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I thought sure
I heard Walt Whitman singing up America
And all around him I saw America taking shape like columns rising up out of blowing fog
And like a barbarian who finds himself in the ruins of the Acropolis at dawn, having bolted from place to place all night lost in the blowing fog,
And seeing the ghostly columns rising up all about in the false dawn, but the real dawn always came thereafter,
And hearing all about the sourceless prayerful muttering felt his heart rush up in wild surmise
Only to find the Parthenon was a bank building in Youngstown, Ohio,
Only to find that the prayers issued from a series of speakers playing back a commissioned installation piece, recorded chants of a tribe whose language was lost
Only to find that only the fog was real and that he was not even a real barbarian,
Only a stranger,
I awoke then in California
Where my awareness spread out around me like water from a cracked pitcher.

No fog, no America of Walt Whitman,
No dream columns of a dream America,
The glory that was Youngstown, Ohio gone and then forgotten like a dream that is forgotten like fog when it is gone and forgotten,
Allen whom I never met dead, his America where I lived briefly gone,
Walt Whitman silent here, voiceless in California, the redwoods rising up like columns taking shape out of blowing fog,
The only America here my America
Still not finished rising up out of the sea.

 

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