When you’d died

Clutter - Jonas Ahrentorp - 753826914_9fa84941c4_z

When you’d died
and they’d taken you away
and burnt you next day
all we were left with
was your whole life

packed in between the walls
nothing thrown away
nothing recycled
everything jumbled
interconnected
inextricable

a path through it
doors that opened or shut
boxes drawers cupboards
dressers trunks folders
presses shelves
garages attics

I’d think I knew you

revolvers
cast-iron pans
bank statements
photos in cigar boxes
notebook lists of anecdotes
from the presidents’ lives

then find another thing

jar full of beard trimmings
secret mailorder magazines
bag of your own teeth

ticked list with the dates
of every half- or quarter-cigarette
you’d smoked recently
which were smoked with Larry

boxes of paperbags
medals bills
diagnoses
draft wills

that letter that ashtray
that hint of a romance
or was it nothing at all

in the end
all that was possible
was to just invent you
and say I’d known
that man

 

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The Museum Elephants

Elephant in Rotunda of Smithsonian Natural History Museum

Within the murmurous expanse
Beneath the bas-relief-ringed dome
The taxidermied elephants
Reign over their eternal home:

With tiles for the grass-giving earth;
For sun-burnt destinations, walls.
Eight times a week, the monkey mirth
Of school groups echoes through the halls

While in and out the galleries
Architectonically discrete
The docents’ high-toned rhapsodies
Contend with sounds of scuffling feet.

And once a month someone comes in
Brushes the dust from wrinkled skin
Sweeps cobwebs from the painted skies
And polishes the glittering eyes.

 

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No Dice

Quarter Spin

Logic leads me to surmise
Our Lord doesn’t play at dice:
Surely He flips coins instead,
Letting the angels call Tails or Heads.
How else could He fairly settle fights
In Heaven, where everyone is always right?

 

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How lovely is the semblance

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How lovely is the semblance
Eternity is come
And Past and Future gathered are
In compass of this room;

How beautiful the sleeping form
The eyes that look within
The hands that do not seek to grasp
The legs that will not run;

Though Memory’s in water writ
However still it pools
This vision having once had
I cannot bear to lose;

I shall become a student
At that patient school of art
That studies years to draw one line
Direct from eye to heart.

 

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There you were

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There you were
helping your friends
who were not yet married
before their reception
by cutting something small
smaller,
carrots or cucumbers,
something.

You were being mindful
of the knifeness of the knife
and how strange it was
not because it cut
but because of the way
it cut

and in consequence
you were working
slowly,
holding up
everything and everyone
that depended on you.

I loved you for
your mindful sluggishness,
and how you were unconscious
of your beauty
in the beautiful moment

so now
I think sometimes
how if that beautiful moment had lasted
I might have married you
and you me
and how eventually
someone else would have had to take over
for both of us.

And I think:
how lucky
one moment
doesn’t lead to the next.

 

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Paradise (pt.10)

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One walked in silence,
remembering Paradise,
Mourning for Paradise,
the Paradise that was in desire,
and remains in desire,
Stones gathered together never to be used aright,
Paradise too long in the building,
Ruin of nothing,
lapped by the sea,

Surge of the sea…

* * *

“‘No ideas but in things,’
Bill Williams said,

“But as for me,
& I’ve minted a slogan or 2
in my day,
slogans thick as money,
words heavy as coins

& would have minted more
had my time not come…

“But as for me,
let me assure you,
“There are ideas
and not only in things,
“There is nothing easier than to get ideas,
let me assure you,
let me assure you of this.”

* * *

What can only be communicated in silence,
Darkness and silence….

 

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Paradise (p.9)

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Little-read now,
but in truth little-read even in his time;
And less loved,
but known for those who loved him in his time.
And the great tower
which was to have reached as high as Heaven
Undercut — or top-heavy,
or with too weak a foundation, —
Too long in the building, in any case.

The sea which gnaws at the land
The land which fills up the sea

* * *

And now in Venice, antique city,
All history encrusted upon her,
and in all her long impatience a kind of patience at last visible,
Pearl of the middle-world,
Her treasures flotsam, flotsam her art,
her history flotsam;
Her citizens flotsam, borne to the edge of the world…

And now, in Venice, what thoughts?

But to have envisioned Paradise
Though the hand was not the eye’s equal;
And to have approached the shoals of Paradise,
Of the chosen island, the site where the great building should take place,
Braved the reefs, stone to tear out a ship’s belly;
To have heard the waves crash and the susurrus,
Sea-surge, waves on the stones,
Day-long, night-long, as ever, so now,
And to have made a start anyway, though never an ending,
Is this a little thing?

“Bill Williams said you had a mystic ear, did you know?”
“He never said that to me. No, I never heard that.”
“A mystic ear, he said. Never a word wrongly chosen,
Never a word misplaced.”

Silence then, the old man perhaps pleased for a while…

But to have had a vision,
To have felt in one’s hand the heft of the stone,
To have made a beginning of things, —
Though on a too-narrow foundation,
The stone on stone laid too high,
Stone laid on stone, and on stone,
The vision made real,
which could not stand the weight of being made real,
Art outstripped by fancy…

 And to have had such a vision,
And to have made such a start

Is this a little thing?
Is this insignificant?

A start, never an ending.
And here, and here…
what thoughts, shaped in silence?

 

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Paradise (p.8)

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And so Paris, and so then Italy,
between wars,
as always between wars,
her shores lapped by the gentle sea,
habitation of old gods…
So Rapallo,
so mare medius terraneum,
the sea in the middle of the world,
the cradle of man’s ambition…

Rapallo, Rapallo,
Hers a quiet grace,
neither the sinuous grace of Provence
nor the assured grace of Firenze
Hers a grace that cannot be multiplied
that cannot be exploited
She can be loved only by those who love her.

And the mule-driver:
“The famous poet
lives in that villa; I’ve seen him:
black hat and a purple cloak, and
he carries a stick. Maybe he was in the war?
‘s very famous, and so many visitors!”

Only the love of those who love…

(and twenty years on a new word will enter the language,
Rapallizare, meaning to put up concrete buildings all over the place,
to build without thought,
to scatter hotels like money.)

 

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Paradise (pt.7)

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And Ezra, become an old man,
Having been born out of his time, although
born neither too late
nor too early;
And had not charity, although
charity was not the quality he was wanting of…

Become old, an old man in an old city,
the old city lapped by the sea;
Speaking not, not writing,
excepting only fragments,
shards of his thought,

poetry of old age,
old age and ruin.

“The world is not as we would have it
but as we have made it.”

 

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Paradise (pt.6)

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… to have made a start …

“Benito, there was soldier
& a statesman, understd. Art
Economics
& Poetry of his kind
which is in the proper balance —

non crede
né alla possibilità
né all’utilità della
pace perpetua.

Kilt of course
& they like to have kilt me the same — “

Wrong, all wrong, wrong from the start…

But to have made a start, at any rate,
to have had a vision…

A thirty years fury,
China and Pisa conflated,
Jefferson and Mussolini conflated,
H. Adams and Odysseus,
Hell in England,
Satan in Usura, —

And to have had a vision…

To be
To be the stone
To be the stone that splits the in-rushing tide,
And was, some would say he was like that stone —

on which many a foot would stumble,
which could not bear the weight of being builded with,
which, having been spit out from the earth,
returns to earth —

Of such stone, to make Paradise —
Paradise!
Always it comes to this notion of Paradise —

To make Paradise, or “a paradise,” any Paradise,
it is necessary to have had a vision,
it is necessary to have had some plan in mind

And to find Paradise (or any Paradise), it is necessary to walk a long road,
for Paradise is not close by,
and Paradise is not given easily,
it is not a thing given —

For Paradise exists already
and Paradise must be builded;
Paradise must be discovered, and
Paradise must be invented also.

In this it is like a mystery.
O,
it is very like a mystery.

 

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