Paradise (pt.3)

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Up a thousand steps,
a thousand steps and a dusty lane,
Fig-trees, leaves the color of the sea,
glint of sea-mirror, whence one had started;
A violin bowed by skillful hands,
playing Vivaldi, not practicing, playing to be heard;
And Il Poeta, come to stay the weekend,
come to see his daughter,
His daughter, and not his wife,
and also the skillful woman who plays Vivaldi.

The eye that covets,
The hand that moves upon the impulse of the eye.
It has been this way for some time,
and so why should we speak of it?

And a thousand steps below,
upon the promenade, the women in their finery,
the men not less fine.

And Dorothy has done with Henry James at last,
Only she may read The Princess Casamassima again,
Or perhaps start in on one of the French novelists…

And why should it be spoken of?

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Paradise (pt.2)

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“I believed in Zeus & Apollo & not in Christ,
and the nun: ‘well,
it’s all the same religion.’
She was Italian, after all…”

The golden dust footprint-deep on the road
& the air golden with sun-light
& around any turning of the road a tree or a god,

a god or a goddess,
ivy-tressed,
skin the color of sun-light,
dusted with gold, dust of autumn grapes,
the old wise eyes, half-lidded, —
“She turned her eyes to me,
and she inclined her head, so;
and the light of the golden hour
shone on her shoulder,
and on her soft throat,
and I came to her there…”

 

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Paradise (pt.1)

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And the sea,
the sea tranquil this winter’s day;
and Ezra, old man gone silent at last, —
ear, ear for the sea-surge
— gone silent, hearing no voices,

only the sea, the measureless sea
fills his ears
bidding him be silent,
bidding him hear no voices

who took genius for wisdom
who took passion for faith
who for atonement took sadness and silence,

took bitterness, despairing of Paradise.

“How are you today, Maestro?”
“Senile!”

And the great sea
surges, surges, the world’s measure.
He may hear it who has the ear for it,
he may bring it forth who has a tongue for it.

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Maybe I should have been

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Maybe I should have been
a nature poet, talking up
clouds and lakes,
wolves and rabbits,
the coyote, the honeybee, the scorpion.

Maybe I should have spent my time
traveling from desert to climax forest,
traveling from valley to mountainside,
talking forest fires, rolling fog,
the endless waves that munch seaside cliffs,
the fantastical desert arches
that occupy our cross section of time,
snails, beetles, microbes, grizzly bears,
and how everything fails and is reborn.

Maybe I’ll let go of my newspaper
this time, maybe
I’ll move to the suburbs and write about
a drowned man, maybe
I’ll go to work for a bank
and write about a drowned man,
maybe after writing about the sea
all my life, it will be a happy ending
to load my pockets with stones
and wade to meet the rising tide.

Maybe I’ll go to work for an insurance company
and write about ice cream.

Maybe I will yet.
Meanwhile, just to remind me
that it’s not all over,
here comes that blackbird again,
calling to see if I’m ready yet
to do the next thing.

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Marvel his birthday away

(Dylan Marlais Thomas, born 27 October 1914)

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We summoned Dylan Thomas’s spirit;
He was more than a little bit drunk, we all could hear it.
But we were charmed he had chosen to honor us
And even inebriated, his voice was still quite sonorous.

 

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I have a dream, during which I find and lose the key to America

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I thought sure
I heard Walt Whitman singing up America
And all around him I saw America taking shape like columns rising up out of blowing fog
And like a barbarian who finds himself in the ruins of the Acropolis at dawn, having bolted from place to place all night lost in the blowing fog,
And seeing the ghostly columns rising up all about in the false dawn, but the real dawn always came thereafter,
And hearing all about the sourceless prayerful muttering felt his heart rush up in wild surmise
Only to find the Parthenon was a bank building in Youngstown, Ohio,
Only to find that the prayers issued from a series of speakers playing back a commissioned installation piece, recorded chants of a tribe whose language was lost
Only to find that only the fog was real and that he was not even a real barbarian,
Only a stranger,
I awoke then in California
Where my awareness spread out around me like water from a cracked pitcher.

No fog, no America of Walt Whitman,
No dream columns of a dream America,
The glory that was Youngstown, Ohio gone and then forgotten like a dream that is forgotten like fog when it is gone and forgotten,
Allen whom I never met dead, his America where I lived briefly gone,
Walt Whitman silent here, voiceless in California, the redwoods rising up like columns taking shape out of blowing fog,
The only America here my America
Still not finished rising up out of the sea.

 

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The lost America of love

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Where are we going, Walt Whitman?  The doors close in an hour.  Which way does your beard point tonight?

Allen Ginsberg, A Supermarket in California

I too saw Walt Whitman buying groceries:
Cabbage and a soup-bone and a little whiskey.

Seventy years later he’d have stayed with us in Paris
Not thinking our lifestyle particularly outré.
A hundred years later he’d have joined
In detesting that son of a bitch McCarthy
After it was fashionable but before it was safe,
And in a few more years he too would have been expelled for crazy
And come along when we hitched to San Francisco
And ended up joining a band that needed a bongo player.
A hundred and fifty years on, there he was on the tv,
Wondering why America still won’t talk about Vietnam.
And shortly thereafter, having stripped naked
And waded in up to his milkwhite thighs
Stood in the warm shallows and boldly declaimed
What, until he spoke, we never knew we had known all along.

I tell you I saw that good, gray poet
Put one cabbage in his basket
And hide another underneath his coat,
Dreaming for all of us of the day
When the commonplace would be the fantastic.

 

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For Ambrose Bierce on his birthday

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The only death I want is one
that maybe never really happens
like yours Mr. Bierce
the one you maybe had
after you disappeared
into the Mexican desert
or that you maybe didn’t have
because nobody ever saw you die
so maybe.

You know what I mean?

The death I want is that kind
a little bit like hope
and a little bit like a shrug
and which never provably happened
so there’s always that chance.

You know what I mean.

Which is just to say
happy hundred-and-seventy-fourth
if you’re still out there
you crabby old bastard.

 

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Orpheus in the world above

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Once I thought I’d knit the world back up,
Heroically—another Orpheus, but one
With lyre self-sacrificially unstrung
And husbanding for thread my lengths of gut.
So in my time I’ve darned a few loose ends
Inexpertly, leaving the places
Where the brittle cloth had frayed
Still all too visible. Still, mended.
Confessedly I took the greater care
Near home, not wanting to slip out
Of the world myself through a thin spot.
And if I went wrong it was there:

Narrowly tending to the world above,
Where the real Orpheus chose to harrow hell for love.

 

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Paris was fine

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Paris was fine,
though the girls stared at us
whenever we took the bus,
and the bus we boarded
was never going to our destination.
Paris was fine,
and then we left it
and haven’t thought of it once since then.
Until today
Paris was just fine.
But today there were
these girls on the bus
who cast knowing glances at me
all the way, who giggled and
who as they got off
spoke loudly to each other
in a language I didn’t understand;
who left me on a bus
that wasn’t going to my destination.

 

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