September, midnight

(after Li Bai)

Chinese soldiers in foxholes.jpg

Ten thousand September winds were blowing.
Ten thousand slivers of moon
peered through ten thousand windows of Chang-an,
where ten thousand women were pounding out silk
so every Chang-an household
could send warm clothes to the front.

Ten thousand September winds froze us at Yuguan Pass,
ten thousand slivers of moon
shone their feeble light
into ten thousand foxholes,
silvering the living and the dead like early frost, although
the living and the dead alike
were dressed warmly, anyway.

All that month I prayed I would meet my enemy soon,
so that one of us, at least,
could go home to see his wife again.

 

 

 ~

A prompt from NaPoWriMo.net (“Today I challenge you to write a poem in which you explore what you think is the cruelest month, and why”) jibed nicely and prompted me to finish my version of this poem from Li Po:

長安一片月
萬戶擣衣聲
秋風吹不盡
總是玉關情
何日平胡虜
良人罷遠征

Chang-an + one + slice/sheet + month/moon
10,000 + household + pound + clothing + sound
autumn + wind + blow + never to be + exhausted
(total + yes) | always + (jade) | (off love) (turn off situation)
what + day + level | (ripening) + Hu + prisoner
(good + man) | beloved + stop + (far + levy) | expedition

If you prefer a translation… there are any number out there. Here is a representative one:

Chang-an — one slip of moon;
in ten thousand houses, the sound of fulling mallets.
Autumn winds keep on blowing,
all things make me think of Jade Pass!
When will they put down the barbarians
and my good man come home from his far campaign?

Image (because great poetry is anachronistic): Chinese soldiers in fox holes, (ca. 1942), from the U.S. Office of War Information, via U.S. Library of Congress (https://www.loc.gov/item/98517523/). This photograph, as a U.S. government work, is unprotected by copyright.

 

My morning commute is not just as it seems

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If things are as I suspect
There is another world
Where I am the lover
Of the driver
Of the morning bus

Where he awoke predawn
And slipped from our bed

Where a thread of lamplight
Shone under the door
And I heard the soft
Beginnings of the day
As he made coffee
I’d drink later

Where I shut my eyes
As if in prayer
Pulled the bedclothes
Around me like arms
That smelled comfortingly
Of last night’s cigarettes
And sex

Where I lay quiet
Until I heard his cup
Set on the countertop
Until the light went out
Until I heard the door
To the other world open
Then heard the door
to the other world

Shut.

 

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I read your note once

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I read your note once
And then again —
Alas, still the same words!

 

 

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what / should I fly

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what

should I fly
unto
my senses

delight
with
crowns and rich apparel

dance and then depart

show
what magic can perform

and do
a thousand
deeds?

I
shall

Faustus 47 unredacted_RedactedFaustus 47 unredacted
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The Proper Tense with Accidents

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Accidents may happen; then they do; but after that
They were not accidents; they are just facts.

 

 
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Sonnet: Against Sonnets

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God’s sake, don’t write a sonnet! What’s the point?
That boy you like will still be fully dressed,
And other poets still be unimpressed
(In fact, their noses may go out of joint).

Feeling is first! Form’s just an afterthought,
And rhyming’s unforgiving work at best,
When every single line feels like a test.
So, should you write a sonnet? You should not.

Oh, Petrarch, Shakespeare, had their vogue, it’s true,
But really, fourteen lines is awfully long.
Best get in — cut the middle — finish strong.
Who wants a sonnet? You should write haiku.

Trust me, I’ve thought this through and through: put down the pen.
The sonnet’s day is gone, and will not come again.

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From this height one sees everything

(after Li Po)
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A younger me would have stood on his head
To prove the earth and sky are of a size
Then seeing beneath his feet the sunlit clouds
Strode off upon that opalescent path.

These days the sun has turned her face from me.
The autumn wind flings tiny knives of frost.
Far down below, the slow east river flows
Beset with whitecaps, fishing boats, and gulls.

Yes, younger, I’d have turned things upside-down:
The sparrows and the swallows at their nests,
The small birds perched among the date tree’s thorns,
All would have stopped, and quirked their heads to see!

But these days I’m no gymnast, me.
Sundown, I’ll sling my sword upon my back;
I’ll set my feet upon the dusty road
And head off down the mountain, muttering of home.

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I gazed into my wine cup

(After Li Po)

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I gazed into my wine cup
Till after darkness fell.

Out of that dark pool
The vines grew up
Twining me around
And the wine was in me
And I was the wine.

Then I dreamed I stood,
Lost in the wine’s dreaming,
And the moon was there
Beneath my feet, there
Where I walked, midstream.

Somewhere an owl hooted

But nobody was there
To wake me.

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backseat stationwagon

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the endless susurrus of tires
strove with us through the night’s great room
we trusted to its purpose: home

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Paradise Lost, or The Inevitability of a Fall

Defying Gravity and

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