Paradise (pt.5)

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Venice, the city precarious,
built as for eternity,
founded upon water;
The floods each year,
water jealous of stone
rising up;
Every stone brought from afar,
and the city’s treasures traded for or stolen,
laid up like stones;

Those living beside the sea
are of necessity traders —
are of necessity grubbers at the sea’s verge,
Where even careful tending
will not make a garden…

Traders, as all men,
As the bankers trade in money & in war
coin & credit
mustard gas & “security”
In the interest of security,
in the interest…
Ignorance of the masses,
“ignorance of coin,
credit and circulation!”
But with a day’s reading
a man may have the key in his hands,
with one day’s reading…

To make of all things, one thing,
and out of one, all:
A cinema of words,
image following image,
& so on,
& because these things have been joined
they have been meant to be joined,
they increase in meaning;

The key in his hand,
“The terrifyin’ voice of civilization…”

 

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Paradise (pt.4)

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(and in London,
which disgraced itself,
and he left later,
singing…)

O London town’s a town of stink,
A town of Wells and Bennett
Where once old Shaw has said “’tis so”
No man dares speak again’ it.

A man may labour 20 years
I’ th’ vineyard of the min’
But the grapes o’ filthy London town
They make a bitter wine.

A man may labour 30 years
I’ th’ brickyard of the soul
Or make as grand a difference
By pissin’ in a hole.

O London town, O London town,
I’ll see thee never more
Till all thy murdered artists march
Triumphant home from war,

Till all thy streets be paved wi’ gold
Beneath an azure sky,
And Bloomsbury be buried
And the Lakes have all gang dry.

 

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Paradise (pt.3)

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Up a thousand steps,
a thousand steps and a dusty lane,
Fig-trees, leaves the color of the sea,
glint of sea-mirror, whence one had started;
A violin bowed by skillful hands,
playing Vivaldi, not practicing, playing to be heard;
And Il Poeta, come to stay the weekend,
come to see his daughter,
His daughter, and not his wife,
and also the skillful woman who plays Vivaldi.

The eye that covets,
The hand that moves upon the impulse of the eye.
It has been this way for some time,
and so why should we speak of it?

And a thousand steps below,
upon the promenade, the women in their finery,
the men not less fine.

And Dorothy has done with Henry James at last,
Only she may read The Princess Casamassima again,
Or perhaps start in on one of the French novelists…

And why should it be spoken of?

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Paradise (pt.2)

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“I believed in Zeus & Apollo & not in Christ,
and the nun: ‘well,
it’s all the same religion.’
She was Italian, after all…”

The golden dust footprint-deep on the road
& the air golden with sun-light
& around any turning of the road a tree or a god,

a god or a goddess,
ivy-tressed,
skin the color of sun-light,
dusted with gold, dust of autumn grapes,
the old wise eyes, half-lidded, —
“She turned her eyes to me,
and she inclined her head, so;
and the light of the golden hour
shone on her shoulder,
and on her soft throat,
and I came to her there…”

 

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Paradise (pt.1)

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And the sea,
the sea tranquil this winter’s day;
and Ezra, old man gone silent at last, —
ear, ear for the sea-surge
— gone silent, hearing no voices,

only the sea, the measureless sea
fills his ears
bidding him be silent,
bidding him hear no voices

who took genius for wisdom
who took passion for faith
who for atonement took sadness and silence,

took bitterness, despairing of Paradise.

“How are you today, Maestro?”
“Senile!”

And the great sea
surges, surges, the world’s measure.
He may hear it who has the ear for it,
he may bring it forth who has a tongue for it.

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Marvel his birthday away

(Dylan Marlais Thomas, born 27 October 1914)

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We summoned Dylan Thomas’s spirit;
He was more than a little bit drunk, we all could hear it.
But we were charmed he had chosen to honor us
And even inebriated, his voice was still quite sonorous.

 

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The lost America of love

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Where are we going, Walt Whitman?  The doors close in an hour.  Which way does your beard point tonight?

Allen Ginsberg, A Supermarket in California

I too saw Walt Whitman buying groceries:
Cabbage and a soup-bone and a little whiskey.

Seventy years later he’d have stayed with us in Paris
Not thinking our lifestyle particularly outré.
A hundred years later he’d have joined
In detesting that son of a bitch McCarthy
After it was fashionable but before it was safe,
And in a few more years he too would have been expelled for crazy
And come along when we hitched to San Francisco
And ended up joining a band that needed a bongo player.
A hundred and fifty years on, there he was on the tv,
Wondering why America still won’t talk about Vietnam.
And shortly thereafter, having stripped naked
And waded in up to his milkwhite thighs
Stood in the warm shallows and boldly declaimed
What, until he spoke, we never knew we had known all along.

I tell you I saw that good, gray poet
Put one cabbage in his basket
And hide another underneath his coat,
Dreaming for all of us of the day
When the commonplace would be the fantastic.

 

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For Ambrose Bierce on his birthday

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The only death I want is one
that maybe never really happens
like yours Mr. Bierce
the one you maybe had
after you disappeared
into the Mexican desert
or that you maybe didn’t have
because nobody ever saw you die
so maybe.

You know what I mean?

The death I want is that kind
a little bit like hope
and a little bit like a shrug
and which never provably happened
so there’s always that chance.

You know what I mean.

Which is just to say
happy hundred-and-seventy-fourth
if you’re still out there
you crabby old bastard.

 

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Orpheus in the world above

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Once I thought I’d knit the world back up,
Heroically—another Orpheus, but one
With lyre self-sacrificially unstrung
And husbanding for thread my lengths of gut.
So in my time I’ve darned a few loose ends
Inexpertly, leaving the places
Where the brittle cloth had frayed
Still all too visible. Still, mended.
Confessedly I took the greater care
Near home, not wanting to slip out
Of the world myself through a thin spot.
And if I went wrong it was there:

Narrowly tending to the world above,
Where the real Orpheus chose to harrow hell for love.

 

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Scylla and after

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Εὐρύλοχος:

… and said, “Trust me so all ends well!”
So we prepared to follow, yet again, Himself.
Turned out he was no wiser head, who, wanting but support,
Would steer us safely through the strait.
We hesitated once, though, I recall

And might have done any of three things, then:
The first thing, or the second one,
Or else what finally we did, which now
At least we can rule out
As an effective plan.

We could have fled; we could have gone
A longer way around; or else we could have done
What, as I said, we did, which was
To follow orders, rise above,
Pull oars, and carry on —

Only to see our shipmates, one by one,
Grabbed up and gobbled as their ship raced on.
Now, our surviving few starved and marooned,
Captain Nobody having gone off to commune
With some god or another, what’s there to be done?

Meantime these farting cattle, said to be the Sun’s,
Grow fat as we grow leaner. I say, Come!
Has any sign we’ve had yet been this clear?
Men live on beef, not prayers.
Then let us do what’s clearly to be done.

***

Their Captain slumbering in the hills, his men
Put flint to iron, steak knives to the hone;
Meanwhile the gods, as ever fanciful and grim,
Brush up on animating carrion,
Seeing (they always see) what’s to be done.

 

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