Speaking to dragons is a great art,
To be seldom practiced.
A man who speaks often to dragons may
Become like a dragon.
Such a dream I had.
The Sun himself took me as I slept!
I would not have thought him
Such a careful lover.
White Shell Woman said:
I slept, and as I slept
Old Sun, that sly fucker,
Came down and slipped it in me.
I woke still wet.

If you believe in fairies, they will show up sooner or later.
However, because fairies do not believe in Time,
They may come long after you have stopped believing in them.
In fact this is the most likely thing.
Fairies are both curious and easily bored.
They are fascinated by objects of all kinds.
For example, they are fascinated by clothes, although
It is a fact that fairies do not ultimately care for clothes.
However, because they are curious,
They may try on all of yours,
Then discard them on the floor next to the hamper
Or maybe somewhere else
Which is in fact the most likely thing, because
Fairies do not believe in Order.
Very few people know this about fairies,
Mostly they assume that fairies are just very hard to please.
(a found poem, from the works of Washington Matthews)
It has lasted eight days before
the four singers,
after long and tedious instruction by the shaman,
come out
to sing this song.
Five hundred people are, perhaps, assembled
to witness the public ceremonies
of the night;
some have come
from the most distant parts
of the wide
Navajo
territory; all are preparedto hold their vigil until dawn.
A score or more of critics are in the audience
who know the song by heart and are
alert to discover errors.
It is a long song,
and consists almost exclusively of
meaningless
or archaic
vocableswhich convey no idea to
the mind of the singer. Yet not
onesyllable
may be forgotten
ormisplaced.
Ifthe slightest error is made,
it is at once proclaimed by the assembled critics,
the fruitless ceremony comes to an end, and
the five hundred disappointed spectators
disperse.
But
fortunatelythey are not as particular with all their songs
as they are
with this.
Q: What do you see as the future of poetry?
A: Oblivion.
Ever since I first noticed “my blood
setting out on its long journey beyond the skin”
I have been pondering that line.
I wrote it, sure, but
What the hell does it mean, you know?
Must be part of the dark speech of silence,
I guess.
But it’s here, and so are we.
So I keep rephrasing the question
Endlessly,
Hoping the answer might somehow change,
Becoming accessible.
Or at least that, you know,
It might make sense
One day.
I’ve seen you out there by the barn,
surreptitiously tucking away your meditative, image-driven lyrics
Between hard covers,
Thinking that absolves you, that it’s enough.
Well, no, goddammit.
I mean, really, I don’t have to explain it to you, do I?
God damn it, get out there and sell us some poetry!
Are you with us, or against us?
Since that first phone call
I’ve been somewhat confused, sure. But finally
things are back to normal, I think.
Anyway, I awoke this morning
then didn’t bother to get up.
The sun was shining anyway,
like always. So, I thought… after a while…
why bother
getting up?
I just lay there for a while,
thinking about nothing in particular,
and not wondering why things weren’t really going anywhere.
I don’t care about progress, anyway,
it doesn’t interest me. Never has,
even though I’ve somehow lived to see my seventies anyway. You see?
You don’t really have to try.
And really, why get up, after all is said and done?
Well, said, anyway.
Although, one gets hungry
eventually.
And the people at school aren’t really waiting for me to show up.
They already know where I am,
or suspect that I am
probably just lying in bed, or dead.