The Prince Who Succeeded in Slaying the Giant (A Cautionary Tale)

Danger - Falling Giants
The Prince was bold, the Prince was brave,
The Prince was young and strong,
All of these things he was, and yet
He did not live so long.

The Prince sought the Princess’s hand;
The King, to try his skill,
Commanded, “Slay the giant!”
And the Prince, he said, “I will!”

The giant’s name was Fumblegrunt
The largest of that race –
Full thirty yards he measured,
From his feet up to his face!

All night they fought, and then all day;
All afternoon as well;
Until at last the brute was slain
– And then, of course, he fell.

For Fumblegrunt was huge and strong,
And ugly and appalling;
And heavy, too, as the Prince found, who
Reckoned without his falling.

So once you’ve slain the giant –
Though your heart be filled with pride –
O once you’ve slain the giant,
Don’t forget to step aside.

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Sestina for Hero and Dragon

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I.

Out with you! In Christ’s name, dragon,
Out! Come from your hole and face my blade,
For I would try if dragon’s-blood be truly black.
From grieving lands beyond the sea
A hundred hundred dead cry for your death.
Hai! Out! I’ve not come such a way to face but empty air!

II.

O erring, misinformed! This so-called empty air
Is rank with camouflage, could shelter many a dragon.
Shall I appear? Do you so earnestly seek death?
For face me, and you die — nor brightest shield, nor sharpest blade
Can alter that. Heroes have come before across the sea.
They lie about you: armor shattered, bones charred black.

III.

A cowardly reply for one with heart so black,
A murderer whose very name befouls the air.
Come, worm: between the mountains and the sea
I stand to challenge you! Will you not try me, dragon?
Your claws against my shield; your hide against my blade.
Or do you fear to meet a test of death?

IV.

I having slain a hundred hundred men, think you one more death
Means aught to me? I come. The sea boils and the clouds turn black
Before my coming. My mouth’s a cavern, every tooth a blade;
My breath a conflagration, and my wings breed hurricanes into the air.
Man, behold a dragon.
My bones are stronger than these mountains; my blood is older than the sea.

V.

Dragon, behold a man! The clouds and the sea
That feared your coming shall rejoice to see your death.
These mountains are not so strong as my rage, dragon,
The sun is not so hot, nor Hell as black.
Could you but hear, the wailing of my kindred dead fills the air.
Now they will be avenged. I swear this by my blade!

VI.

I shall unbind your body’s several elements; come, try your blade.
Your bones shall mingle with the earth, your thin, cold blood dilute the sea,
The smoulder of your burning dance inconsequent upon the air.
You speak of death? You have not learned to speak of death.
Death is mightier than your rage, hotter and more black.
I know this, who have killed a hundred hundred men. Death is a dragon.

* * *

The dragon claws for purchase in the sky; the man holds tight his blade,
As clouds scud low and black above a furious sea.
In one of these is death: the dragon’s stoop; the bright sword that cleaves the air.

dragon lightning

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Yaitse Figured It Out (Monster Slayer part 6)

403949639_74968ea275_oYaitse said:

I see the footprints
Running here and there.
Give them to me,
Those two skinny boys!

White Shell Woman said:

The prints like little feet,
I make them with my fist’s edge,
Scatter them all around the place.
It’s better than living alone.

Changing Woman said:

Go back to the mountains, Yaitse,
Break your teeth on stones.
There’s nothing for you here,
Nothing you have not ruined.

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The First Time White-Corn’s-Child Came to the House Made of Dawn

2920375421_5eac7d6df3_bStumbling through the grounds at sunrise,
With dew-damp pollen clinging to my ragged pants cuffs
And having left all my friends behind,
I found myself here.

Beauty amazes me!
Charms hanging in the doorway!
Beauty amazes me!
I’ll dance with the altar-cloth!

Beautiful all that lies before me!
Beautiful all that creeps up behind!
Beautiful, every side I turn to!
I turn, and turn, and turn!

So here I am wandering around
In the house of happiness,
In the house of long life
That no one enters alive.

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How Those Boys Grew Up (Monster Slayer part 5)

Warrior TwinsFour days ago
These women dreamed in the sunlight
And now there are babies
Wriggling at their breasts.

Four days ago
These were babies crying
And now they are running everywhere
Playing huntsman.

Four days ago
These were boys playing
And now they practice shooting
And ask about their father.

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Two Women and the Sun (Monster Slayer part 4)

Georg_Pencz_-_Schlafende_Frau_(Vanitas) WITH SUN3 Changing Woman said:

Such a dream I had.
The Sun himself took me as I slept!
I would not have thought him
Such a careful lover.

White Shell Woman said:

I slept, and as I slept
Old Sun, that sly fucker,
Came down and slipped it in me.
I woke still wet.

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Alphabet, Schmalphabet – V, v

(or, Veery and Vole and the Vinegar Fly)

VEERY VOLE VINEGAR - fnl

Veery and Vole and the Vinegar Fly
Decided to go to the top of the sky.

But Vole couldn’t fly, though of course he would try;
“Do not think us unkind,” Veery said with a sigh,
“We must leave you behind!” And they bade him Good-bye.

And then Vinegar Fly – though of course he could fly –
Couldn’t fly very fast; couldn’t fly very high.
He grew weary, and cried out to Veery, “Please try
To go slower, and lower!” But Veery said, “I
Am a high-flying bird, and I cannot comply!”

And so Veery went on all alone — which is why
Veery and Vole and the Vinegar Fly

Do not get along.
And that is my song.

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To Witness the Public Ceremonies of the Night

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(a found poem, from the works of Washington Matthews)

It has lasted eight days before
the four singers,
after long and tedious instruction by the shaman,
come out
to sing this song.

Five hundred people are, perhaps, assembled
to witness the public ceremonies
of the night;

some have come
from the most distant parts
of the wide
Navajo
territory; all are prepared
to hold their vigil until dawn.

A score or more of critics are in the audience
who know the song by heart and are
alert to discover errors.
It is a long song,
and consists almost exclusively of
meaningless
or archaic
vocables
which convey no idea to
the mind of the singer. Yet not
one
syllable
may be forgotten
ormisplaced.
Ifthe slightest error is made,
it is at once proclaimed by the assembled critics,

the fruitless ceremony comes to an end, and

the five hundred disappointed spectators
disperse.
But
fortunatelythey are not as particular with all their songs
as they are
with this.

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Apologia for Slipping Off the Wobbly Pivot of Language While Attempting to Capture Something Vaguely yet Acutely Felt

Charles Wright bird

Q: What do you see as the future of poetry?
A: Oblivion.

Ever since I first noticed “my blood
setting out on its long journey beyond the skin”
I have been pondering that line.
I wrote it, sure, but

What the hell does it mean, you know?
Must be part of the dark speech of silence,
I guess.
But it’s here, and so are we.

So I keep rephrasing the question
Endlessly,
Hoping the answer might somehow change,
Becoming accessible.

Or at least that, you know,
It might make sense
One day.

 

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Things Have Been Thought About Enough, Already

Che Wright

In one of his first public statements after learning of his new post, Charles Wright said that, as laureate, “I’ll probably stay here at home and think about things… I will not be an activist laureate, I don’t think…I have no program.” 

I’ve seen you out there by the barn,
surreptitiously tucking away your meditative, image-driven lyrics
Between hard covers,
Thinking that absolves you, that it’s enough.

Well, no, goddammit.
I mean, really, I don’t have to explain it to you, do I?
God damn it, get out there and sell us some poetry!
Are you with us, or against us?

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